Please VOTE NOW for Top Album of the Year!

Hey, everybody! Livin’ My Best Life is on the Blues Rock Review list for Top 20 Albums of 2024! I am honored to be included and now I need your help to get on top of the list. Would you please help me and vote today?

All you have to do is click HERE , then click on the drop down menu and find my name and album, Rocky Athas - Livin’ My Best Life and vote! The list is alphabetical so scroll down until you get to the R’s (which is WAY DOWN the list! lol) You can vote once EVERY DAY until December 14th. So, please start the voting today!

Thank you, Blues Rock Review! And while you are on the Blues Rock Review website, check out some of their great interviews , reviews, and articles. They really know what is going on in the blues rock music world today!

Croatia is rockin' Livin' My Best Life! Check out the review from Sound Guardian!

Check out the awesome review of Livin’ My Best Life by Croatian writer, Mladen Loncar, of Sound Guardian. He is also my favorite DJ in Croatia. Hvala ti prijatelju. Pustite glasno glazbu, Mike! Click HERE to check out Sound Guardian and for those of you would do not read Croatian, the English translation is below.

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Ovih malo više od 42' svakom tko imalo naginje i voli istinski rock n' blues, album "Livin’ My Best Life" bez obzira na sve biti će vrlo fokusirani predmet vašeg zanimanja. Preko CherryBurst Records ovaj album je i službeno objavljen prije dva tjedna u vlastitom aranžmanu, apsolutno vanserijskog glazbenika Rockyja Athasa.

Malo tko nije čuo za ovog doista izvrsnog gitaristu, koji ima jako puno atributa poput "Texas Tornado", "Malice from Dallas", "Young Eric Clapton" i "The Last Great Bluesbreaker Guitarist". Naravno, sve ovo ukazuje nam na činjenicu i priču da ovdje, na ovom albumu nema šale, nema praznog hoda, već da nam se onako iz prve ruke sva ona Texas furrka doslovno prolama iz zvučnika i pronalazi nas .. i što je jako bitno ostavlja nas bez teksta, jer svako malo ostajemo doista zatečeni onime što čujemo!

Rocky Athas nudi nam pravu paletu žestokih gitarskih rifova i zaraznih potezanja na gitari, čiji tonovi, čiji zvuk otvara doslovno sva vrata. Rocky ništa, ali doista ništa ne prepušta slučaju,već dapače vrlo precizno, vrlo nadahnuto i razbacano u vaša glazbena bića unosi onaj svima poznat nemir i osjećaj da smo na pravoj strani.

Kada se sjetim, koliko sam uživao u njegovoj gitari slušajući je na Mayallovom live i studijskom albumu "A Special Life" sadržava Rockyjeve zvjezdane gitarističke izvedbe i trenutke, što je pak navelo Neila Spencera iz Uncut Magazina da visoko pohvali novi rad i to izvučeno iz konteksta zvuči na slijedeći način:"... whose guitarist, Rocky Athas, resembles a young Eric Clapton". Ova činjenica govori sve jer u tim godina bez obzira što svira sve je optočeno bluesom i blues je uvijek bio ono što je Clapton želio svirati.

Slično se događa i s Rockyjem i to razdoblje definitivno je obilježilo njegovu profesionalnu karijeru. Naime, biti na turneji i svirati s Mayallom ne može si priskrbiti nitko tko sve, sav taj osjećaj i ozračje nema u malom prstu i upravo zato samo odabrani mogu svirati s istinskom blues legendom. Naravno, Athas je ispunio sve kriterije i upravo zato je i mogao biti dio te priče. Kasnije ili istovremeno Rocky radi i svoje solo albume i snima ono što voli, ono što mu daje prostora da se izrazi kao kompletni glazbenik a ne samo kao vanserijski gitarist.

"Livin’ My Best Life" dugo je očekivani nastavak nakon "Shakin' The Dust" i one boleštine, koja je zaustavila svijet.

"Livin’ My Best Life" uključuje Rockyjevu "smokin' hot" posvetu Jeffu Becku i Peteru Greenu te jednu klasičnu izvedbu Johna Mayalla na usnjaku.

Od 2017. kada se ponovo susreo s Grammyjevcem Jimom Gainesom i radom na albumu "Shakin' The Dust" pokrenuo je cijeli taj pozitivni krug ili ciklus, koji traje i dan danas. Nakon Mayallovih Bluesbreakersa Rocky je pokrenuo doista respektabilnu solo karijeru i tu je i danas.

A svi znamo Texas rock n' blues je uvijek bila dobitna formula i stil i ozračje, koje nikoga neće ostaviti ravnodušnim.

A valja i ovo napisati: u dobi od 23 godine, ovaj tada mladić rodom iz Oak Cliffa, je faca kojeg Buddy Magazine uključuje u već sada legendarni popis deset najboljih gitarista. Upravo je Rocky jedan od prvih i najmlađih, koji je dobio tu čast. Tijekom vremena, Rocky je dijelio tu čast uz Eric Johnsona, Jimmie i S.R, Vaughana, Billy Gibbons (iz ZZtopa) i Johnny Wintera. Mnogi znaju za njegovo prijateljstvo s legendarnim i nažalost pokojnim Stevie Ray Vaughanom, obojica su iz Oak Cliffa, a Rocky je iznimno ponosan na njihove zajedničke korijene i njihovo prijateljstvo. Voli spominjati ono razdoblje kada nisu bili svjetski poznati i uvijek potiče da su bili izuzetno obični i pristupačni dečki iz susjedstva i da ih slava nije promijenila u tom smislu. Cijela ova priča i što se mene osobno dodiruje upravo to dokazuje. Naime, nakon naše već dugogodišnje suradnje Rocky sam sve podiže na još veću razinu i cijela ova priča dobiva itekako značajne konotacije. Osobno sam vrlo sretan i ponosan što je to baš tako!

Rocky se sprijateljio s producentom Jimom Gainesom, dobitnikom nagrade Grammy, koji je radio znamo sve i sa Santanom, Steveom Millerom, Journeyem i Steviejem Ray Vaughanom, a 2003. proglašen Blues producentom godine. Njihovo prijateljstvo je sazrelo i otišlo na još veću razinu a nakon njegovog nastupnog albuma "Miracle", kojeg je producirao Jim. Uslijedila je ponuda, koju nije mogao odbiti: John Mayall, kultni "Godfather of British blues", zamolio ga je da svira gitaru na njegovom sljedećem albumu. Rocky je bio počašćen ovim priznanjem za svoju vještinu i s neskrivenim oduševljenjem pridružio se Mayallovim legendarnim The Bluesbreakersima, gdje su svoj obol ostavili i dali i Eric Clapton, Peter Green, Jack Bruce, John McVie, Mick Fleetwood i Mick Taylor. Bio dio te ekipe doista je fantastičan i ogroman uspjeh, a Rockyjeva svirka naravno, da nije prošla nezapaženo. Guitar Player Magazine je napisao da je Rocky "izuzetni veteran teksaški "gunslinger" s opakim tonom i nadasve respektabilnom i uspješnom solo karijerom."Sve ovo itekako je imalo utjecaja i na ovaj novi studijski album, kojem je Rocky dao svojom produkcijom potpuni smisao i učinio je i tu priču doista posebnom. A u tome su mu pripomogli:Jared Watson ( gitara , vokal), njegov sin Rocky Athas II (bas gitara), Walter Watson (bubnjevi, vokal). Uz njih tu su još bili: Ruf Rufner ( klavijature), Charlie Ferguson (klavijature "Sad Affairs"), John Mayall ( usna hramonka "Long Grey Mare") i Jessica Athas (klavijature "Only In My Dreams")

Preporuka

Svi mi i svi oni koji znaju o čemu se radi definitivno neće propustiti priliku da uživaju uz odličnu glazbu, sjajan i raspaljivi rock n' blues kojeg nam Rocky Athas samo tako isporučuje i doslovno nas potiče iz pjesme u pjesmu da samo idemo i slušamo što se dalje događa. Kada dođemo do posljednje pjesme na albumu, jednostavno idemo ponovo i tako tko zna do kada. Upravo zato poznati Vintage Guitar Magazine piše " Guaranteed to shake the dust from your speakers!"

Nije da "Livin’ My Best Life" slušam samo kod kuće, već se svojski trudim da ga što više promoviram i prezentiram i u radijskim emisijama koje uređujem i vodim. On to doista zaslužuje a vi, ako već niste, provjerite zašto stvari stoje baš tako!

Na kraju slijedi još i ovo: "This album comes full circle in my musical journey from Freddie King to Jeff Beck, and Peter Green and Andy Frasier who were both in the Bluesbreakers with John Mayall every one of whom I had the honor of meeting."

"This album was written specifically to encourage you to shun the negatuve forces in the world, embrace the positve , and start "Livin' YOUR Best Life". So, please keep rockin' the blues and play it LOUD!Repeat as needed for the great day" - Rocky Athas

Više o svemu potražite na:
https://www.rockyathas.com/
https://www.facebook.com/RockyAthasOfficial/
https://www.instagram.com/rockyathas/
www.twiter.com/RockyAthas
https://soundcloud.com/rockyathasofficial
Video: https://www.youtube.com/user/OfficialRockyAthas

Popis pjesama:

1. Livin’ My Best Life (4:48)
2. Only In My Dreams ( 4:55)
3. Black Cat Moan (3:48)
4. Dark Days (5:24)
5. Sad Affairs (5:29)
6. Long Grey Mare (3:06)
7. Watching The River Flow (3:43)
8. Sold Ground (4:01)
9. Walk In My Shadow (2:55)
10. Palace Of The King (3:52)

(CherryBurst Records)

Yours bluesy,
Mladen Loncar-Mike

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ROCKY ATHAS - "LIVIN’ MY BEST LIFE''

These little more than 42' for anyone who is inclined and loves true rock n' blues, the album "Livin' My Best Life" will be a very focused object of your interest regardless of everything. Through CherryBurst Records, this album was officially released two weeks ago in its own arrangement, by the absolutely extraordinary musician Rocky Athas.

Few have not heard of this truly excellent guitarist, who has many attributes such as "Texas Tornado", "Malice from Dallas", "Young Eric Clapton" and "The Last Great Bluesbreaker Guitarist". Of course, all this points us to the fact and the story that here, on this album, there is no joke, no idleness, but that all that Texas has literally bursts out of the speakers and finds us .. and what is very important leaves us speechless, because every now and then we are truly taken aback by what we hear!

Rocky Athas offers us a real palette of fierce guitar riffs and infectious guitar moves, whose tones, whose sound literally opens all doors. Rocky leaves nothing, indeed nothing, to chance, but rather very precisely, very inspired and scattered in your musical beings that well-known restlessness and the feeling that we are on the right side.

When I think back to how much I enjoyed his guitar playing on Mayall's live and studio album, "A Special Life" features Rocky's stellar guitar performances and moments, prompting Neil Spencer of Uncut Magazine to praise the new work out of context. it sounds like this: "... whose guitarist, Rocky Athas, resembles a young Eric Clapton". This fact says it all because in those years, no matter what he played, everything was covered in blues and blues was always what Clapton wanted to play.

A similar thing happens with Rocky and that period definitely marked his professional career. Namely, being on tour and playing with Mayall can't be achieved by anyone who doesn't have everything, all that feeling and atmosphere in their little finger, and that's why only a select few can play with a true blues legend. Of course, Athas fulfilled all the criteria and that's exactly why he could be part of that story. Later or at the same time, Rocky also makes his solo albums and records what he likes, what gives him space to express himself as a complete musician and not just as a hired guitarist.

"Livin' My Best Life" is the long-awaited follow-up to "Shakin' The Dust" and that disease that stopped the world.

"Livin' My Best Life" features Rocky's "smokin' hot" tribute to Jeff Beck and Peter Green and a classic John Mayall rendition on the harmonica.

Since 2017, when he met again with Grammy winner Jim Gaines and working on the album "Shakin' The Dust", he started this whole positive circle or cycle, which continues to this day. After Mayall's Bluesbreakers, Rocky launched a truly respectable solo career and is still around today.

And we all know Texas rock n' blues has always been a winning formula and style and atmosphere, which will not leave anyone indifferent.

And this should also be written: at the age of 23, this then young man from Oak Cliff is the guy Buddy Magazine included in the already legendary list of ten best guitarists. Rocky is one of the first and youngest to receive this honor. Over time, Rocky shared that honor with Eric Johnson, Jimmie and S.R, Vaughan, Billy Gibbons (of ZZtop) and Johnny Winter. Many know of his friendship with the legendary and sadly late Stevie Ray Vaughan, both of whom are from Oak Cliff, and Rocky is extremely proud of their shared roots and their friendship. He likes to mention the period when they were not world famous and always insists that they were extremely ordinary and approachable guys from the neighborhood and that fame has not changed them in that sense. This whole story and what touches me personally proves exactly that. Namely, after our already long-term cooperation, Rocky himself raises everything to an even higher level and this whole story acquires very significant connotations. I am personally very happy and proud that this is so!

Rocky befriended Grammy Award-winning producer Jim Gaines, who worked with We Know It All and Santana, Steve Miller, Journey and Stevie Ray Vaughan, and was named Blues Producer of the Year in 2003. Their friendship matured and went to an even greater level after his debut album "Miracle", which was produced by Jim. An offer followed, which he could not refuse: John Mayall, the iconic "Godfather of British blues", asked him to play guitar on his next album. Rocky was honored by this recognition for his skill and with undisguised enthusiasm joined Mayall's legendary The Bluesbreakers, where Eric Clapton, Peter Green, Jack Bruce, John McVie, Mick Fleetwood and Mick Taylor also left and contributed. Being part of that team is truly fantastic and a huge success, and Rocky's gig, of course, did not go unnoticed. Guitar Player Magazine wrote that Rocky is "an outstanding veteran Texas gunslinger with a wicked tone and above all a respectable and successful solo career."

All this really had an impact on this new studio album, which Rocky gave complete meaning with his production and made that story really special. And in this he was helped by: Jared Watson (guitar, vocals), his son Rocky Athas II (bass guitar), Walter Watson (drums, vocals). Along with them there were also: Ruf Rufner (keyboards), Charlie Ferguson (keyboards "Sad Affairs"), John Mayall (lips "Long Gray Mare") and Jessica Athas (keyboards "Only In My Dreams")

Recommendation: 

All of us and all those who know what it is about will definitely not miss the opportunity to enjoy great music, great and incendiary rock n' blues that Rocky Athas just delivers and literally encourages us from song to song to just go and listen to what's going on what's happening next. When we get to the last song on the album, we just go again and so on until who knows when. That is exactly why the famous Vintage Guitar Magazine writes "Guaranteed to shake the dust from your speakers!"

It's not that I listen to "Livin' My Best Life" only at home, but I personally try to promote and present it as much as possible in the radio shows that I edit and host. He really deserves it and you, if you haven't already, check why things are the way they are!

At the end there is also this: "This album comes full circle in my musical journey from Freddie King to Jeff Beck, and Peter Green and Andy Frasier who were both in the Bluesbreakers with John Mayall each one of whom I had the honor of meeting. "

"This album was written specifically to encourage you to shun the negative forces in the world, embrace the positive, and start "Livin' YOUR Best Life". So, please keep rockin' the blues and play it LOUD! Repeat as needed for the great day" - Rocky Athas

Find out more about everything at:

https://www.rockyathas.com/

https://www.facebook.com/RockyAthasOfficial/

https://www.instagram.com/rockyathas/

www.twiter.com/RockyAthas

https://soundcloud.com/rockyathasofficial

Video: https://www.youtube.com/user/OfficialRockyAthas

Track list:

1. Livin' My Best Life (4:48)

2. Only In My Dreams (4:55)

3. Black Cat Moan (3:48)

4. Dark Days (5:24)

5. Sad Affairs (5:29)

6. Long Gray Mare (3:06)

7. Watching The River Flow (3:43)

8. Sold Ground (4:01)

9. Walk In My Shadow (2:55)

10. Palace Of The King (3:52)

(CherryBurst Records)

Yours bluesy,

Mladen Loncar-Mike

Buddy Magazine Reveals Secrets from Rocky’s Past!

Check out the April edition of Buddy Magazine for an in-depth, deep dive interview by Andrew Daly. Thank you for the awesome interview and putting me on the cover! Keep reading below to learn more secrets from my past and check out Buddy Magazine’s website HERE for more great interviews and music reviews.

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At the age of 69, it goes without saying that Rocky Athas, a player who has played alongside the likes of John Mayall, Buddy Miles, Glenn Hughes, and more, has been around the block a time or two.

He came of age in Texas in the ’70s, a period that boasted the likes of Eric Johnson and Rocky’s close childhood friend Stevie Ray Vaughan, among others, leading to Buddy Magazine to induct Athas in the inaugural Buddy Texas Tornado class of 1978, when he was just a young pup aged 23. To this, Athas says, “It was an honor then, as it is now to this day. Being the youngest in a group that included such successful artists as Jimmie Vaughan and Billy Gibbons raised my profile and raised expectations of myself.”

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He continues, “It has been part of my resume forever, and I am often asked about it. In other parts of the world, Texas seems to have a certain mystic when it comes to guitar players in part, possibly because of that ranking. Thank you, Buddy Magazine. You rock!” [Ed. Thanks Rocky.]

While Buddy Magazine noticed Rocky’s talent very early on, top players from around the world also recognized his talent, and incorporated his style and phrasing into their own playing. And the result had a major impact – in this Guitar World article from 2023, Queen’s Brian May explains how he lifted a few tapping licks from Athas, creating the solo for “It’s Late” that became the primary inspiration for Eddie Van Halen’s two-handed tapping technique.

Accolades aside, Athas has a record to promote in Livin’ My Best Life, which is due out on March 10, 2024. Even after all these years, the veteran gunslinger has still got it. The chops that made him a mainstay amongst the greats are all over the thing, so be sure to grab Livin’ My Best Life when it drops.

As for how he feels about his new record, Athas smiles from ear to ear when asked. “Of course, after an album is released, I always hear things in my head that I would have done differently that tend to stick in my mind and drive me crazy,” he admits. “But I love writing and recording music more than anything, and I believe that my new album, Livin’ My Best Life, is my favorite at this point because it’s on the top of my mind.”

What inspired you to pick up the guitar?

I would love to tell you an interesting, original story, but I, like an entire generation, was mesmerized by the iconic Beatles performance on The Ed Sullivan Show. Luckily, my brother, Nick, already played guitar and was willing to start teaching me, and the very next day, I asked my mother if I could start growing my hair out. 

Walter Trout & Rocky Athas jamming together.

A wonderful side note about my mom: she was a hairdresser at The Adolphus Hotel in downtown Dallas, so the idea of long hair didn’t freak her out. She knew she could just cut it off if she didn’t like it! True story.

Tell me about your first guitar and what songs you learned on it. 

My very first guitar was a Kingston three-pickup “pawn shop special” electric guitar. My parents realized very early on how important guitar was becoming to me. So much so that they memorialized my budding musical interests with a giant 8×10 Sears portrait of me with my Beatles haircut and my Kingston, which I still have, and my wife laughs at. “House of the Rising Sun” was the first song I learned to play, which I also saw on The Ed Sullivan Show when The Animals were on. 

As I got better at guitar, my mom bought me my first “real” guitar, a Gibson ES-330, but only if I promised to mow the yard and keep the garage clean without being told. Failure to keep my word would mean forfeiture of the guitar to her. I couldn’t deal with losing the guitar, so needless to say, our home never violated code compliance.  

Bluesville

Growing up in Texas, what did the music scene around you look like?

Two words. Loud and talented. Any night of the week, there were always great bands to go see because there was such an abundance of venues for live music, like Mother Blues, Sneaky Pete’s, Savvy’s, The Palladium, and Cardi’s. They all brought in national acts and were packed. It was a blast!

What shops did you like to frequent when looking for guitars and gear?

Even though I lived in Oak Cliff, Arnold and Morgan Music in Garland was the place to go in the ’70s and 80’s because they always had great used gear. I even had the chance to purchase Freddie King’s guitar from them, but I was young and thought it was “too” used because Freddie played with a metal thumbpick that nearly rubbed a hole completely through it! I didn’t understand the value of the guitar or the concept of “vintage” guitars…yet.  

Lightning

Did any Texas players influence you much? Did you meet them? 

That question requires a two-part answer. First, I was influenced by all the good players I grew up jamming with, like Jimmy Wallace, because we were all friends in the same neighborhood. We were more like brothers; everything was a giant open book between us. Remember the days before YouTube? 

If you wanted to learn something, you had to actually play the record over and over and over again until you figured it out, much to the irritation of our parents. If one of us figured out something off Axis Bold as Love, we would show each other how we thought it was played. Whether we learned it correctly or not is another question.  

Mick Taylor and Rocky in London.

As far as professional players, Freddie King was the man! I got to see him countless times in person. When I was 18, I went to see Jeff Beck at The Majestic Theater in Dallas with original Lightning bassist John Rybiski. While we were standing in line, this guy, who was “football big,” walked up holding a guitar, shook my hand, and asked if this was the line for Jeff Beck and if he could “cut” in line.  

Of course, I knew it was Freddie because he was a regular fixture at Mother Blues and holding his signature 345 Gibson guitar! Not only was his playing phenomenal, but he was one of the nicest guys in the world. He emanated joy on stage through his playing and his smile. He seemed to love making music, which left an impression on me. Music made me that happy, too. It’s one of the reasons that we recorded Palace of The King for the new album, Livin’ My Best Life. 

John Mayall and Rocky.

What’s your wildest Texas music scene story?

The wildest gig story happened while we were on stage in Austin, Texas, and a guy was dancing super crazy right in front of the band. All of a sudden, he fell straight down, legs buckling beneath him. The promoter asked us to take a break, and they called medics; the guy had died right there on the spot in front of us! The ambulance took him away, and then the promoter said, “Ok, guys, can you go ahead and start it up again?”

Needless to say, this felt pretty weird, witnessing death and all, but the promoter insisted. Can you imagine that? The last thing any of us wanted to do was rock the house, but after we finished the first song of the next set, a guy stood up, hoisting a beer, yelling, “My brother just died on this floor, so let’s all have a beer. I am buying it to celebrate my brother’s life!” That has stayed with me to this day.  

You just can’t make this stuff up. Truth really is stranger than fiction, and that’s just the tip of the iceberg when it comes to bizarre and crazy events in the life of a working musician. Next time, ask me about the gig at the topless bar.  

Tell me about joining Black Oak Arkansas. How did you get the gig? Was there an audition?

No audition. I opened for Black Oak Arkansas in Paris, Texas, and about a week later, Jim Dandy called me directly and asked if I would like to join Black Oak. He basically poached me from my own band; I said yes, and on the road, I went.  

What was it like working with Buddy Miles on Bluesberries? What did your rig look like then?  

Buddy was a friend long before we recorded the Bluesberries album with Double Trouble. I remember playing football in a huge field next to a hotel if you can imagine that, with all the guys, including Buddy, when we were staying in Houston for a gig. Lots of friendships were forged on the road in situations like that. 

Buddy Miles and Rocky Athas

Anyway, I was fascinated with the great stories he told about his days with Jimi Hendrix and Band of Gypsies, and I loved his voice and his playing. He always had a groove and some soul. I never got tired of playing with him, and during that time, I used a Fender Twin and Lab L5 for the album.

You’re one of many guitarists to work with John Mayall. What’s the secret to locking in with him?

I really don’t know. This was another situation where, just like when Jim Dandy called, John called me out of the blue and asked me to join him: no middleman, no handlers, no audition. I actually thought the phone call was a prank from one of my friends, and I didn’t take him seriously. That ended up being a tad awkward for a moment, but everything ultimately worked out. 

He said he remembered seeing me play years before and heard my album, Miracle, on the radio in the UK. He liked what he heard, so he bought it and then called me. When I went to California to meet him and record Tough, I asked him how he wanted me to play, and I’ll never forget what he said. He said, “Just be yourself. That’s why I hired you. I want you to be you.” I loved it, cranked it up, and got down to business.  

Of your solo records, which means the most to you, and why?  

That is a very tricky question because all of them seem monumental at the time of creation. I am so focused on the creative process that I have no clue what the next album will be. All my energy goes into the “now,” if you know what I mean. 

Without Rocky Athas playing at Mother Blues in the 70s, Eddie Van Halen’s two-handed tapping technique (and this solo) may have never happened. Check out the Guitar World link above for more of this story.

You’ve covered classic tracks like “White Room” and “The Wind Cries Mary.” How do you approach that impossible task?

I approached the classics in much the same way I did as a kid, only better. I wanted to record the songs that shaped my playing and conjured up great memories. We just tried to be as honest and true to the original versions as possible. Walter and I have an entire album’s worth of material that we recorded just for fun, songs that we loved growing up, like stuff from Mountain, Creedence, the Moody Blues, The Rolling Stones, etc. Maybe one day we’ll put it out. Great songs are always great songs.

What guitars, amps, and pedals have most shaped your tone? Are there any you’d never part with? 

The Ibanez Tube Screamer TS-9 and TS-10 are my favorite pedals, along with a vintage Vox Wah. I used Lab Series-L5 amps and a Fender Twin for as long as I can remember. I still love the Lab-Series L-5s. They were discontinued in 1981, so any time I have the chance to buy an original L5, I buy it. So, I guess the answer is that the Labs aren’t going anywhere.  

Thin Lizzy performing “Rocky,” written for Athas. Phil Lynott and the band were fans of Rocky’s, and went to see him perform often at Mother Blue’s in Dallas when they were in town.

What’s next for you?

Since the world of music is now all about being an independent artist, there is never a shortage of things to do or learn. Gone are the days of just showing up to a gig that someone else booked and playing guitar. Now, I have a complete e-commerce website, www.RockyAthas.com, and social media channels that need content. It’s a whole different kind of fun to connect with someone who loves your music when they reach out to me through the website, Facebook, or YouTube.   

So, as the life of a musician is always evolving and moving forward, I wrote about those feelings on the new album, Livin’ My Best Life. I am so proud of the guys, Walter Watson, Jared Watson, and Rocky II, for their performances. After being on the road together, we couldn’t be any tighter, and it shows through on the record. We have a unique bond since I have my son, Rocky II, on bass, and Walter has his son, Jared, on guitar.

We are truly a family affair and enjoy playing together, and the crowds see that and seem to be into it, too. Not to sound cheesy, but it really feels like I am Livin’ My Best Life, and I couldn’t be in a better band than I am right now. I took my time with this album and now, I’m hoping the world will enjoy it and that everybody plays it loud listening to my message. 

"Melodic, ripping guitar work and catchy chorus" ~ Blues Matters!

Check out this month's edition of Blues Matters!  They are celebrating their landmark 100th issue and a glowing, insightful review of Shakin' The Dust written by Clive Rawlings is included.  The staff and writers at Blues Matters have always been so supportive of my work and I want to thank them from the bottom of my heart for everything and congratulate them on hitting this milestone.  Click the link and subscribe!   Their name says it all!   

Shakin' The Dust Review ~ by Clive Rawlings

For the uninitiated, Rocky is a Texas guitarist who has been around a good few years, coming to prominence firstly with Black Oak Arkansas, then Buddy Miles BluesBerries and latterly as the last guitarist employed by John Mayall in his Bluesbreakers.  He also released solo albums with the late Larry Samford on vocals to great acclaim.  So, you will gather he's no slouch and it has given me great pleasure to review this new album.  Together with legendary producer, Jim Gaines, this is a cracker from the opening Texas rock of Dictator and the blues rocker, You Pushed Me Too Far, one of many originals with many blues licks.  I should give credit here to the rhythm section of Rocky's son, Rocky Athas II on bass and drummer, Walter Watson.  Texas Girl is great, too, as it kicks off with an amazing intro with Athas' brilliant guitar complimented by a crushing wave of catchy hooks.  Athas puts his own stamp on the Johnny "Guitar" Watson cover, Looking Back, a nice touch being that this version is slowed down somewhat.  I Need Your Love So Bad has been covered by the likes of Peter Green's Fleetwood Mac, but it still sounds the business here, very intense slow blues.  The most important thing in this song is the feeling that you can put in your guitar strings and that is one of the strongest points of Rocky.  It's then back to Rocky's own work again with Not This Time, a melodic rocker again with ripping guitar work and a catchy chorus.  The album ends with the magnificent Hendrix cover, Villanova Junction, in which the guitar naturally takes on the leading role and then Athas is at his best.  All in all, this is a great album in a long list of great albums by this unsung survivor of the Bluesbreakers.  Not that he needs to use that handle.  The man is a legend in his own lunchtime, as the saying goes! 

Shakin' The Dust Unpacks Rocky's Strongest Weapon! Read NOW!

The reviews for Rocky's first album since departing the legendary Bluesbreaker band leader, John Mayall, are coming in from around the world and are unanimous!  Shakin' the Dust "unpacks Rocky's strongest weapon, razor sharp and blistering guitar work"!  Writer Walter Vanheuckelom for Concert Monkey Belgium says "You Pushed Me Too Far" is one of the best songs on the album!  Check it out and play it LOUD!  #TexasStyle

Rocky Athas and Shakin' The Dust Delivers Blistering Guitar!

http://www.rockyathas.com/physical-albums/shakinthedust  

Click here to read the full, original review in Dutch and follow Concert Monkey's excellent recommendations. Thank you, Concert Monkey, Walter Vanheuckelom and all the European music fans!  For our English speaking fans, a translated version of this review appears at the bottom for your convenience.

Rocky Athas is een Amerikaanse gitarist uit Texas. In zijn tienerjaren speelde hij samen gitaar met zijn schoolvriend Stevie Ray Vaughan. Op zijn drieëntwintigste werd hij verkozen bij de beste tien gitaristen in Texas. Thin Lizzy, toch niet de eerste beste band, was zo onder de indruk van het gitaarspel van Rocky Athas tijdens het Mother Blues Festival in Dallas, dat ze er meteen het nummer 'Cocky Rocky' over schreven. In de late jaren zeventig werkte Rocky als sessie muzikant voor Polygram Records in de Memphis Ardent Studios. Daarna was Rocky een tijdje lid van The Southern Rock band Black Oak Arkansas en speelde mee op hun legendarische albums 'Ready As Hell' en 'The Wild Bunch'. In 2002 was hij te horen op 'Blues Berries' van Bobby Miles, de drummer van de Jimmy Hendrix Band Of Gipsy's. De bekende producer Jim Gaines was onder de indruk van de kwaliteiten van Rocky Athas en vond dat Rocky muziek moest maken onder zijn eigen naam. In 2003 verscheen het album 'Miracle' van The Rocky Athas Group, twee jaar later verscheen de opvolger 'Voodoo Moon' en in 2007 verscheen 'Lightning Strikes Twice' en dat was meteen het laatste studio album, want twee jaar later werd Rocky de vaste gitarist bij de Britse blues icoon John Mayall. Als het drukke schema van de nog altijd energieke John Mayall het toelaat, werkt Rocky Athas verder aan zijn eigen carrière. Zo bracht hij in 2014 nog het album 'Let My Guitar Do The Talking... With My Friends' uit. John Mayall, Smoking Joe Kubek en nog wat andere bekende vrienden van Rocky verleenden hun medewerking aan deze cd. In 2015 verscheen 'The Essential Volume I' en in 2016 de opvolger 'The Essential Volume II'. Deze verzamelaars van Rocky's werk zouden hem meer naambekendheid moeten geven in Europa. Op vijftien oktober verscheen Rocky's nieuwe album 'Shakin' The Dust' met daarop elf nummers, die buiten de vier covers allemaal door Rocky Athas geschreven zijn. Producer is de legendarische Jim Gaines.

'Shakin' The Dust' opent met de Texas rocker 'Dictator', waarin Rocky Athas meteen uitpakt met zijn sterkste wapen, namelijk vlijmscherp en verschroeiend snarenwerk. Ook in de bluesrocker 'You Pushed Me Too Far', één van de beste songs op het album, komen de kwaliteiten van Athas als gitarist weer ruimschoots aan bod. Deze 'You Pushed Me Too Far' roept herinneringen op aan Stevie Ray Vaughan. Al meer dan zestig jaar geleden nam Jimmy Reed, het door Calvin Carter geschreven 'I Ain't Got You' op. Het is ondertussen ontelbare keren gecoverd, zelfs door The Rolling Stones en Aerosmith. De versie van Rocky Athas heeft zeker een plaatsje tussen de betere covers en dat komt wederom door zijn fantastisch gitaarwerk. Zoon Rocky Athas II op bas en drummer Walter Watson zorgen voor de heerlijke rock groove. 'Time Flies' is een heerlijke meeslepende rock ballade en de bluesrock shuffle 'Texas Girl' heeft een geweldige gitaar intro. Het langste nummer op het album is de psychedelische ballade 'No More Breath', waarin Rocky weer erg veel gevoel legt in zijn weergaloos snarenwerk.

Athas weet zijn eigen stempel te drukken op de Johnny Guitar Watson cover 'Looking Back'. De Texaan speelt het nummer iets minder snel dan het origineel en dat geeft het nummer een extra touch. In 1955 had Little Willie John al een hit met 'I Need Your Love So Bad', maar het nummer werd onsterfelijk gemaakt in de versies van Peter Green's Fleetwood Mac, Gary Moore en The Allman Brothers. Aan deze heel intense slowblues heeft gitaarvirtuoos Rocky Athas wijselijk niet zoveel verandert. Het belangrijkste in deze song is dan ook het gevoel dat je in je snarenwerk weet te leggen en dat is één van de sterkste punten van deze Texaanse gitarist. Na deze twee erg mooie covers krijgen we met 'Not This Time' weer eigen werk van Rocky. In deze melodieuze rocker is het weer genieten van het scheurend gitaarwerk van Rocky en het catchy refrein nodigt uit om mee te zingen en te dansen. Het album wordt afgesloten met de magistrale, instrumentale Jimmy Hendrix cover 'Villanova Junction' waarin de gitaar vanzelfsprekend weer de hoofdrol op zich neemt en dan is Athas op zijn best. 'Shakin' The Dust' van Rocky Athas is een zeer aangenaam album. Vooral de gitaarliefhebbers zullen erg genieten van deze 'Shakin' The Dust'. (7,5/10)

Walter Vanheuckelom

01. Dictator

02. You Pushed Me Too Far

03. Lifeline

04. I Ain’t Got You

05. Time Flies

06. Texas Girl

07. No More Breath

08. Looking Back

09. Need Your Love So Bad

10. Not This Time

11. Villanova Junction

For our English speaking fans, below is a translated version of the review.  

Rocky Athas is an American guitarist from Texas. In his teens he played guitar together with his school friend Stevie Ray Vaughan. At the age of twenty-three, he was elected by the top ten guitarists in Texas. Thin Lizzy, not the first band, was so impressed by the guitar playing of Rocky Athas during the Mother Blues Festival in Dallas, that they immediately wrote the song 'Cocky Rocky' about it. In the late seventies, Rocky worked as a musician for Polygram Records in the Memphis Ardent Studios. After that Rocky was a member of The Southern Rock band Black Oak Arkansas for a while and played on their legendary albums 'Ready As Hell' and 'The Wild Bunch'. In 2002 he was heard on 'Blues Berries' by Bobby Miles, the drummer of the Jimmy Hendrix Band Of Gipsy's. The well-known producer Jim Gaines was impressed by the qualities of Rocky Athas and found that Rocky had to make music under his own name. In 2003 the album 'Miracle' by The Rocky Athas Group was released, two years later the successor 'Voodoo Moon' appeared and in 2007 'Lightning Strikes Twice' appeared and that was the last studio album, because two years later Rocky became the regular guitarist with the British blues icon John Mayall. If the busy schedule of the still energetic John Mayall permits it, Rocky Athas will continue his own career. In 2014 he released the album 'Let My Guitar Do The Talking ... With My Friends'. John Mayall, Smoking Joe Kubek and some other well-known friends from Rocky lent their cooperation to this CD. In 2015 'The Essential Volume I' was released and in 2016 the successor 'The Essential Volume II'. These collectors of Rocky's work should give him more name recognition in Europe. On the fifteenth of October, Rocky's new album 'Shakin' The Dust 'was released with eleven tracks, all written by Rocky Athas outside the four covers. Producer is the legendary Jim Gaines.

'Shakin' The Dust 'opens with the Texas rocker' Dictator ', in which Rocky Athas immediately unpacks with his strongest weapon, razor sharp and blistering strings. Also in the blues rocker 'You Pushed Me Too Far', one of the best songs on the album, the qualities of Athas as guitarist are again amply discussed. This 'You Pushed Me Too Far' evokes memories of Stevie Ray Vaughan. Jimmy Reed, the 'I Is not Got You' written by Calvin Carter, took over 60 years ago. It has been covered countless times, even by The Rolling Stones and Aerosmith. The version of Rocky Athas certainly has a place among the better covers and that's because of his fantastic guitar work. Son Rocky Athas II on bass and drummer Walter Watson provide the wonderful rock groove. 'Time Flies' is a delightful compelling rock ballad and the blues rock shuffle 'Texas Girl' has a great guitar intro. The longest track on the album is the psychedelic ballad 'No More Breath', in which Rocky again gives a lot of feeling in his unparalleled string work.

Athas has his own stamp on the Johnny Guitar Watson cover 'Looking Back'. The Texan plays the song a bit less fast than the original and that gives the song an extra touch. In 1955, Little Willie John already had a hit with 'I Need Your Love So Bad', but the song was immortalized in the versions of Peter Green's Fleetwood Mac, Gary Moore and The Allman Brothers. The guitar virtuoso Rocky Athas has not changed that much to these very intense slowblues. The most important thing in this song is the feeling that you can put in your strings and that is one of the strongest points of this Texan guitarist. After these two very beautiful covers, we get Rocky's own work again with 'Not This Time'. In this melodic rocker it is again enjoying the ripping guitar work of Rocky and the catchy chorus invites you to sing along and dance. The album ends with the magisterial, instrumental Jimmy Hendrix cover 'Villanova Junction' in which the guitar naturally takes on the leading role and then Athas is at its best. 'Shakin' The Dust 'by Rocky Athas is a very pleasant album. Especially the guitar lovers will really enjoy this' Shakin 'The Dust'. (7.5 / 10)
 

Legendary Texas Guitarist Rocky Athas and Blues Icon John Mayall End.

As some of you may have heard, John Mayall announced today that effective immediately he is reducing his performance format to a trio to become his own guitar player. We had a discussion and a meeting of the minds. John told me that as he approaches 83 years of age this is something he has always wanted to pursue and I support his decision. I have accomplished all that I could as his last guitarist and he wants to finish his career playing guitar for himself in a trio. I want everyone to wish him well and know that even though I will not be touring with John any longer that we remain musician brothers at heart. For me, this is the perfect ending to a great run.  Onward & Upward!  I look forward to the next chapter of rockin' the blues MY way like the songs from The Essential Rocky Athas - Volume I below.  Turn it up & enjoy a taste of authentic Texas music!

Although his decision was unexpected, I welcome the opportunity to move forward and continue making music Texas Style with your help.  Please "share" my music with your friends and I hope to see you in your city soon!

You can read John's official press release by clicking HERE. 

Rave Review for The Essential Rocky Athas - Volume II!

Phillip Smith declares that "The Essential Rocky Athas - Volume II is a delectable album tailor-made for the blues enthusiast" filled with "Texas-style blues riffs".   Please click the videos below and listen to the tracks that sparked such enthusiasm.   To celebrate the love, SHOP HERE and SAVE 20% OFF all physical CD's by entering promo code FANLOVE20 at checkout.   Thank you Phillycheeze's Blues and Rock Reviews for the awesome review!

ROCKY ATHAS ~ Bluesville

2015 – Cherryburst Records

By Phillip Smith; Feb 20, 2016

Rocky Athas delivers another ten terrific tracks in the second installment of his Essential series.  Volume II was well worth the wait indeed.  Heavy-laden with killer Texas-style blues riffs, “You Move Me” kicks this album off with a jamming, soulful groove.  Immediately following, Athas then crushes it on “Bluesville”, a beautifully performed heartbreaker.  Hope is the foundation of “Miracle”, a silky smooth R&B love song, delicately played with tasty hot guitar licks.  The funky bass line and trance-friendly beat in “On the Move” create the perfect atmosphere for Athas to let loose on his ’74 Stratocaster.  I could listen to this instrumental all day long.  And for a song that really makes an impression, “Survival” gets right to the core, as Athas paints a hellish picture of war, in Warren Zevon-esque bravado.  The monster cover of Mountain’s “Mississippi Queen” , however, is the cherry on top of the album.  I love this track right down to the glorious cow-bell intro.  This song is played loud and often.  The Essential Rocky Athas Volume II is a delectable album tailor-made for the blues enthusiast.     

To read more awesome reviews published by Phillycheeze's Blues and Rock Reviews, please click HERE.

Blues Hall of Fame Inductee!

Please join me in congratulating John Mayall as he is inducted into the Blues Hall of Fame on May 4, 2016 in Memphis.   At 82, John has inspired countless musicians across the globe with his devotion to the blues and his success and longevity is indeed a testament to how "Tough" he is!  There is not a better blues harmonica player in the world!  Please click below and enjoy my favorite recording from Tough, our first album together in 2009.  From the very beginning, John set the tone for this new chapter of his musical life by holding nothing back and I am honored to be a part of it. Congratulations, John!  Well done!   

Read more about the Blues Foundation 2016 Blues Hall of Fame Inductees by clicking HERE and please consider joining the Blues Foundation and supporting their mission of preserving the blues.  Click HERE for more information.

Photo courtesy of Peter Altenkirch.

Awesome photo of John Mayall, the master of blues harmonica, doing what he does best!  

Blueszine Magazine loves The Essential Rocky Athas - Volume I!

Blueszine Magazine describes Rocky's work as "delicious howling guitar riffs" and "immortal music with passionate rhythms" giving the album 8 out of 10 stars!   You can read the entire review HERE in Dutch or below in English.  Thank you, Blueszine NL!  

Rocky Athas – The Essential Volume 1

BY WALTER VANHEUCKELOM · 9 NOVEMBER 2015

Rocky Athas is een Amerikaanse gitarist uit Texas. In zijn tienerjaren speelde hij samen gitaar met zijn schoolvriend Stevie Ray Vaughan. Op zijn drieëntwintigste werd hij verkozen bij de beste tien gitaristen in Texas. Thin Lizzy, toch niet de eerste beste band, was zo onder de indruk van het gitaarspel van Rocky Athas tijdens het Mother Blues Festival in Dallas, dat ze er meteen het nummer ‘Cocky Rocky’ over schreven. Ook Brian May van Queen is grote fan van Rocky Athas zijn gitaar werk.

In de late jaren zeventig werkte Rocky als sessie muzikant voor Polygram Records in de Memphis Ardent Studios. Daarna was Rocky een tijdje lid van The Southern Rock band Black Oak Arkansas en speelde mee op hun legendarische albums ‘Ready As Hell’ en ‘The Wild Bunch’. In 2002 was hij te horen op ‘Blues Berries’ van Buddy Miles, de drummer van de Jimmy Hendrix, Band Of Gipsy’s. De bekende producer Jim Gaines was onder de indruk van de kwaliteiten van Rocky Athas en vond dat Rocky muziek moest maken onder zijn eigen naam.

In 2003 verscheen het album ‘Miracle’ van The Rocky Athas Group en twee jaar later verscheen de opvolger ‘Voodoo Moon’. In 2007 verscheen ‘Lightning Strikes Twice’ van Rocky Athas’ Lightning en dat was meteen het laatste studio album, want twee jaar later werd Rocky de vaste gitarist bij de Britse blues icoon John Mayall. Als het drukke schema van de nog altijd energieke John Mayall het toelaat, dan werkt Rocky Athas nog steeds aan zijn eigen carrière. Zo bracht hij in 2014 nog het album ‘Let My Guitar Do The Talking… With My Friends’ uit. John Mayall, Smoking Joe Kubek en nog wat andere vrienden van Rocky Athas verleenden hun medewerking aan deze cd. Nu is er ‘The Essential Volume I’ en deze verzamelaar zou Rocky Athas terug meer naambekendheid moeten geven in Europa, want als alles volgens plan verloopt, staat er volgend jaar een solo tournee doorheen Europa gepland.

‘The Essential Volume I’ is eigenlijk een best off. Negen van de elf nummers komen uit de volgende drie albums ‘Miracle’ uit 2003, ‘Voodoo Moon’ uit 2005 en ‘Lightning Strikes Twice’ uit 2007. We zullen de songs niet in de volgorde op het album bespreken maar wel volgens het album waar ze origineel op te vinden zijn, om de eenvoudige reden, dat de nummers toch kaderen in een bepaalde periode van de gitarist. We beginnen met het oudste album ‘Miracle’. ‘Long Time Gone’ is een knap bluesrock nummer met dadelijk een grootse Rocky op de gitaar. Dit is onsterfelijke muziek met een gedreven ritme en het zit instrumentaal allemaal goed in elkaar.

Zanger Larry Samford beschikt over een mooie stem en de heerlijke riffs op de klavieren van Tommy Palmer kunnen ook erg bekoren. Ook in het rustigere soft rock nummer ‘That Was Then, This Is Now’ kan Rocky overtuigen en komt zijn klasse als gitarist boven drijven. Met een paar heerlijk jankende gitaar riffs wordt ‘High Cost Of Lovin” aangevat. Meeslepende gitaar blues om duimen en vingers af te likken. De volgende periode is deze van het ‘Voodoo Moon’ album uit 2005. Het mooiste nummer van het album is zonder twijfel ‘Last Of The Blues’. Een rustige, maar meeslepende blues melodie die gedragen wordt door de warme klanken van het orgel en doorspekt is van erg mooie korte gitaar riffjes. Bassist Guthrie Kennard en drummer Bobby Baranowski beginnen met een lekkere groove, solo aan ‘Tearin’ Me Up’. De diepe baslijnen blijven het gehele nummer door zorgen voor kriebels in je buik en Rocky zet nog maar eens zijn beste beentje voor met zijn uitstekend gitaar werk.

De derde periode is deze van ‘Lightning Strikes Twice’ uit 2007. ‘Vows Were Made’ doet dadelijk denken aan de muziek van de grote Tom Petty en kan zo op een album van deze super artiest. Daarmee bewijst Rocky Athas, die het nummer samen met drummer Walter Watson schreef, dat hij buiten een begenadigd gitarist ook een erg goede songwriter is. Hetzelfde duo schreef de power ballade ‘Where Do We Go From Here’ dat akoestisch begint, maar na een halve minuut vallen de andere instrumenten gevat in. Geweldig gezongen en, we vallen in herhaling, weer heel sterk gitaarwerk van de Texaan.

Dat John Mayall zijn gitarist volledig steunt, kan je horen op het instrumentale ‘Think About It’. John Mayall is meesterlijk op de toetsen. We vinden tenslotte ook nog een bonus track op de cd, en wat voor eentje. Al van 1968 maar nog steeds mooi om te horen is ‘White Room’ van de legendarische Cream. Hier kan Athas zich nogmaals volledig uitleven op zijn zes snarig instrument en zijn pedaal bord. ‘The Essential Volume I’ is een prachtig album geworden. Hopelijk mogen we volgend jaar, Rocky en zijn band ook in onze lage landen verwelkomen. (Cherryburst Records) (8/10)

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Rocky Athas - The Essential Volume 1
BY WALTER Vanheuckelom · 9 NOVEMBER 2015

Rocky Athas is an American guitarist from Texas. In his teens he played guitar with his school friend Stevie Ray Vaughan. On his twenty-third, he was elected to the ten best guitarists in Texas. Thin Lizzy, not the first best band, was so impressed with the guitar playing of Rocky Athas during Mother Blues Festival in Dallas, she immediately the song "Cocky Rocky 'overwritten. Also, Brian May of Queen is a big fan of Rocky Athas his guitar work.
downloadIn the late seventies Rocky worked as a session musician for Polygram Records Ardent Studios in Memphis. After that Rocky was a while a member of The Southern rock band Black Oak Arkansas and played on their legendary albums "Ready As Hell" and "The Wild Bunch". In 2002 he was featured on 'Blues Berries' Buddy Miles, the drummer Jimmy Hendrix, Band Of Gypsy's. The famous producer Jim Gaines was impressed by the qualities of Rocky Athas and found that Rocky had to make music under his own name.
In 2003 released the album "Miracle" from The Rocky Athas Group and two years later the successor 'Voodoo Moon'. In 2007 'Lightning Strikes Twice' Rocky Athas' Lightning and that was the last studio album, because two years later, Rocky was the guitarist in the British blues icon John Mayall. If the busy schedule of the still energetic John Mayall permitting, operates Rocky Athas still on his own career. So he brought in 2014 yet the album "Let My Guitar Do The Talking ... With My Friends' out. John Mayall, Smoking Joe Kubek and some other friends of Rocky Athas cooperated in this CD. Now there's "The Essential Volume I" and this collector Rocky Athas would have to give back more notoriety in Europe, because if everything goes according to plan, next year is planning a solo tour across Europe.
The Essential Volume I "is actually a best off. Nine of the eleven songs come from these three albums 'Miracle' in 2003, 'Voodoo Moon' from 2005 and 'Lightning Strikes Twice' in 2007. We will not discuss the songs in the order on the album but as the album they originally found on his, for the simple reason that the numbers still fit within a certain period of the guitarist. We start with the oldest album Miracle. 'Long Time Gone' is a fine blues rock song with a once grand Rocky on the guitar. This is immortal music with passionate rhythms and instrumental is all well put together.
Singer Larry Samford has a beautiful voice and wonderful riffs on keyboards Tommy Palmer can really captivate. Even in the quieter soft rock song "That Was Then, This Is Now 'can convince come Rocky and his class as a guitarist surfaced. With a few delicious howling guitar riffs is "High Cost Of Lovin 'started. Compelling guitar blues to lick your thumbs and fingers. The next period is that of the "Voodoo Moon" album from 2005. The best song of the album is undoubtedly 'Last Of The Blues. " A quiet but compelling blues melody carried by the warm sounds of the organ and is punctuated by very nice short guitar riffs. Guthrie Kennard bassist and drummer Bobby Baranowski start with a great groove, solo on 'tearin' Me Up '. The deep bass lines keep the whole number by ensuring butterflies in your stomach and Rocky puts once again his best foot forward with his excellent guitar work.
The third period is that of 'Lightning Strikes Twice' from 2007. 'Vows Were Made' does immediately think of the music of the great Tom Petty and so can an album of this super artist. This proves Rocky Athas who wrote the song along with drummer Walter Watson, that he is also a very good songwriter outside a gifted guitarist. The same duo wrote the power ballad "Where Do We Go From Here" which starts acoustically, but after half a minute, the other instruments are encased in. Great singing and we fall into repetition, again very strong guitar work of the Texan.
John Mayall guitarist his full support, you can hear the instrumental 'Think About It'. John Mayall is masterful on the keys. We finally find also a bonus track on the CD, and what alone. Already in 1968 but still nice to hear 'White Room' of the legendary Cream. Here Athas can once again fully enjoy his six string instrument and pedal board. The Essential Volume I 'is a great album". Hopefully next year we, Rocky and his band also welcome in our low countries. (Cherry Burst Records) (8/10)
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TV Rock Live Interview in France

While touring in France Rocky had the opportunity to visit with Olivier Carle and TV Rock Live.  They discussed everything from getting the phone call from John Mayall to Jimi Hendrix's influence and his connection to other Bluesbreaker guitarists and the future of blues-rock music.  Below is the interview in English and in French and you can click HERE to see the published article.  Thank you, Yazid, Olivier and TV Rock Live!  

TvRockLive.com : How did you come in touch with John Mayall?
Rocky Athas: I met John when my band opened a show with him in Dallas Texas.   We did not speak again until four years later when he called and asked me to record an album with him.  I was quite surprised to hear from him after such a long time. John said he had never forgotten how I sounded and he thought I would be a good fit for what he wanted to do.   He said he bought and listened to all my solo albums, loved my writing, and that I was his first choice.  I was honored.

TvRockLive.com: John has played with a whole bunch of talented guitarists, do you know some of them?
Rocky Athas: I know Mick Taylor and Walter Trout.  We have jammed together a few times.  They are both very nice guys.   When Walter had his surgery, his record label (Mascot Records) asked me to fill in for him at his album release party in New York City.   I was honored to help out because when my son had a tragic car accident and lost an eye, Walterspent time with my son and encouraged him.  I will never forget the kindness he showed my son during a very difficult time.   We are a community of guitar players that care about each other.  I also had the chance to meet Peter Green while we were on tour in the UK.

TvRockLive.com: From your point of view why does he change so often and do you think you are in the Bluesbreakers for a while?
Rocky Athas: You would have to ask John.   He likes to work on the road more than anything and many of his guitar players were not with him very long.   I havebeen with Mayall for almost seven years at this point and I am interested in playing with John as long as he wants to keep playing.  Luckily, John works about 100 shows a year and that gives me plenty of time to continue my solo career and recording my music.

TvRockLive.com: Saw on your website that you played with Black Oak Arkansas, have you got a special link with southern rock bands like Buddy Whittington with Point Blank?
Rocky Athas: I did play with Black Oak Arkansas for a while and recorded several albums for them and am still friends with their drummer,Johnnie Bolin.   I am so friends with Buddy Whittington, although he never was a member of Point Blank.  We are practically neighbors and have known each other for years.

TvRockLive.com: What are your main influences as bluesman and as guitarist?
Rocky Athas: I consider myself first and foremost a musician with many influences.   My friends all started learning guitar by jamming to the blues1 – 4 – 5 progressions because you could spend hours jamming and hanging out with your friends trading off leads and rhythm.   Then I was drawn to rock music like Hendrix, and Cream and Mountain because it was fun!  Listening to Freddie King was a great influence because he always managed to play a lead with melody.  I really like that.   Jimi Hendrix and Eric Clapton both influenced me in terms of technique and tones.    I consider myself more of a "rock-blues guitarist".

Yazid ''Jimi Hendrix'' Manou & Rocky Athas

TvRockLive.com: You played with Buddy Miles and on the tribute "Blue Haze", what does Jimi Hendrix mean to you?
Rocky Athas: I love him!    As a kid, the walls of my room were covered inHendrix posters and I saw Jimi play three times.  I still remember vividly how mind blowing his performances were!  He did things with a guitar that no one had seen or heard before.  He was inspiring!   I played everyHendrix tune there was including Little Wing, The Wind Cries Mary and Instrumental Solo just to impress audiences.
 

TvRockLive.com: You also played with Glenn Hughes on the Tommy Bolin's tribute, how was it?
Rocky Athas: It was a great experience to play with Glenn.  He is still one of my favorite lead singers because he is full of soul and rock at the same time.   It's nice that I had a chance to play with him.  Our paths cross when we are touring Europe and it is always nice to catch up and chat.

TvRockLive.com: Have you played in France before?
Rocky Athas: Absolument!    We play Europe every 18 monthsor so and France is always on the schedule.    A few tours ago,  we played in France with the Yardbirds and ended up in Paris on my birthday.   The guys surprised me with a cake.   It was an awesome evening and one I will never forget.    I have metwonderful friends when touring the world but none as welcoming as the Parisiens.   The last time we were in Paris, some friends took my wife and I on a night time tour of Paris after the show.  They took us to the Tour Eiffel and had us standing under it right on the hour to surprise us!  It was amazing!   The Parisiens are very proud of their glorious city and I was grateful that they shared it with me and my wife.

TvRockLive.com: Are your solo albums still available?
Rocky Athas: Yes, all of my albums are available online and I have just released a new album called The Essential Rocky Athas – Volume I that includes never before released tracks and information along with some of my favorites tracks previously released and remastered.   You can find everything at www.rockyathas.com.

TvRockLive.com: Have you got projects outside the Bluesbreakers?
Rocky Athas: Yes, Ihave my own band and I am always working on new material and album releases for my solo career.  I spend a lot of time in the studio and a lot of time building a relationship with fans on social media with guitar videos.  You can check them out on Facebook, Twitter andYouTube.  I love answering questions from aspiring young guitar players.

TvRockLive.com: Is there any other musician you would like to play with?
Rocky Athas: Good question -  There are so many!   Eric Clapton andJeff Beck would be cool.   I have met Jeff and besides being a phenomenal guitar player, he has a great sense of humor.  We had an awesome time talking about guitars together.

TvRockLive.com: Can you tell me more about your friendship with SRV ? Did you ever play with him?
Rocky Athas: We were childhood friends that both played and talked guitars all day at school and on the phone.   We were in our own little guitar world.  We ate lunch every day at school together and all we talked about was Hendrix, The Who, The Beatles, Cream and all of the great bands at that time.   As adults, we never had the opportunity to play in the same band together but always enjoyed each other's company and supported each other's careers.   The one thing we truly had in common was our commitment to playing guitar, no matter what.  It's what we call in Texas being "a lifer".

TvRockLive.com: What do you think of the blues scene nowadays ? Is there any "new" blues band you like?
Rocky Athas: The blues scene just seems to continually grow and become more inclusive of a younger generation all the time.   It is just awesome when a teenager comes up to me after a show and talks about how much they enjoy the guitar.   That is what it is all about for me.   Making music accessible and universal.   I like all of the bands that are keeping the blues music alive.  It is a great form of music because it is timeless and can be molded into a fresh sounding experience if you are creative.

TvRockLive.com: Is there any other musical genre you enjoy?
Rocky Athas: Rock music is where I got my start and Cream, Jimi Hendrix, Mountain, The Rolling Stones,  and The Beatles are still my favorites.  They have stood the test of time.  I loved playing that style of music but it may surprise your readers to know that I enjoy classical music, too.    I also love Stevie Wonder and Marvin Gaye because their voices are such amazing instruments full of melody.   That is probably why I enjoyed playing with Glenn Hughes so much.  He has a lot of that soul.    Good music is easy to recognize.  If it moves you, then it is good!   I enjoy everything with melody and groove and emotion.

TvRockLive.com: Very happy to see you in Le Plan near Paris next month, hope to have the opportunity to talk to you directly there...  Sounds good.. Can't wait to say hello
Interview Exclusive: Olivier Carle
 

Rocky Athas mail interview september 2015 (français)

TvRockLive.com : Comment avez-vous rencontré John Mayall ?
Rocky Athas : J'ai fait la connaissance de John quand mon groupe a ouvert pour lui à Dallas au Texas. Nous ne sommes rentrés de nouveau en contact que quatre ans plus tard quand il m'a appelé et m'a demandé d'enregistrer un album avec lui. J'étais très surpris alors d'entendre parler de lui après une si longue période. John a dit qu'il n'avait jamais oublié mon jeu de guitare et il a pensé que je serais la bonne personne pour ce qu'il voulait faire. Il m'a dit qu'il avait acheté et écouté tous mes albums solo, qu'il aimait mon écriture et que j'étais son premier choix. J'étais honoré.

TvRockLive.com : John a joué avec tout un tas de guitaristes talentueux, connaissez-vous certains d'entre eux ?
Rocky Athas : Je connais Mick Taylor et Walter Trout. Nous avons jammé ensemble quelques fois. Ils sont tous les deux très gentils. Lorsque Walter a eu ses ennuis de santé, son Label (Mascot Records) m'a demandé de le remplacer à la soirée de lancement de son album à New York. J'étais heureux de lui donner un coup de main parce que quand mon fils a eu un accident de voiture tragique et a perdu un oeil, Walter a passé du temps avec lui et l'a encouragé.  Je ne pourrai jamais oublier la gentillesse dont il a fait preuve avec mon fils pendant une période très difficile. Nous sommes une communauté de guitaristes qui se soucient les uns des autres. J'ai également eu la chance de rencontrer Peter Green pendant que nous étions en tournée au Royaume-Uni.

TvRockLive.com : De votre point de vue pourquoi John change-t-il si souvent de guitariste et pensez-vous que vous êtes dans les Bluesbreakers pour un certain temps ?
Rocky Athas : Il faudrait poser cette question à John ! Il aime être sur la route plus que tout et beaucoup de ses joueurs de guitare ne pouvaient le suivre aussi longtemps. Je suis avec John Mayall depuis près de sept ans et à ce stade je suis prêt à continuer aussi longtemps qu'il le souhaitera. Heureusement, John donne environ 100 spectacles par an et cela me donne beaucoup de temps pour poursuivre ma carrière en solo et enregistrer ma musique.

TvRockLive.com : J'ai vu sur votre site Internet que vous avez joué avec Black Oak Arkansas, avez-vous un lien particulier avec des groupes de Rock Sudiste comme Buddy Whittington (ex-guitariste de Mayall) avec Point Blank ?
Rocky Athas : J'ai effectivement joué avec Black Oak Arkansas pendant un moment et enregistré plusieurs albums avec eux et je suis toujours ami avec leur batteur, Johnnie Bolin. Nous sommes amis avec Buddy Whittington, nous sommes pratiquement voisins et nous nous connaissons depuis des années.

TvRockLive.com : Quelles sont vos principales influences en tant que Bluesman et en tant que guitariste ?
Rocky Athas : Je me considère d'abord et avant tout comme un musicien avec beaucoup d'influences. Tous mes amis ont commencé à apprendre la guitare en jammant sur du Blues et des progressions 1 - 4 - 5 parce qu'on pouvait passer des heures à improviser et à échanger des soli et des parties rythmiques. Ensuite, j'ai été attiré par la musique Rock comme Hendrix,Cream et Mountain parce que c'était Fun ! Freddy King a eu une grande influence sur moi car il jouait de façon très mélodique. J'aime beaucoup cela. Jimi Hendrix et Eric Clapton  m'ont influencé en termes de technique et de sonorités. Je me considère plus comme un "guitariste de Blues Rock".
 

TvRockLive.com : Vous avez joué avec Buddy Miles pour l'hommage "Blue Haze", qu'est-ce que Jimi Hendrix signifie pour vous ?
Rocky Athas : Je l'aime ! Quand j'étais gamin, les murs de ma chambre étaient couverts de posters de Hendrix et j'ai vu Jimi Live à trois reprises. Je me souviens encore très bien combien ses prestations étaient époustouflantes ! Il faisait des choses avec sa guitare que personne n'avait faites auparavant. Il était une vraie source d'inspiration ! J'ai joué tous les airs d'Hendrix y compris Little Wing, The Wind Cries Mary et ses soli juste pour impressionner le public.

TvRockLive.com : Vous avez aussi joué avec Glenn Hughes sur le Tribute à Tommy Bolin, quelles ont été vos impressions ?
Rocky Athas : Ce fut une grande expérience de jouer avec Glenn. Il est encore un de mes chanteurs préférés parce que sa voix est pleine de Soul et de Rock en même temps. C'est une chance d'avoir pu jouer avec lui. Nos chemins se croisent quand nous sommes en tournée en Europe et il est toujours agréable de se rencontrer et de discuter.

TvRockLive.com : Avez-vous joué en France auparavant ?
Rocky Athas : Absolument ! Nous jouons en Europe tous les 18 mois environ et La France est toujours au programme. Il ya quelques tournées de cela nous avons joué en France avec les Yardbirds et nous sommes retrouvés à Paris pour mon anniversaire. Les gars m'ont fait une surprise avec un gâteau. Ce fut une soirée extraordinaire et que je n'oublierai jamais.  J'ai rencontré des amis merveilleux autour du monde mais jamais aussi accueillants que les Parisiens. La dernière fois que nous étions à Paris, quelques amis nous ont emmenés ma femme et moi pour une visite de nuit de Paris après le spectacle. Ils nous ont conduits à La Tour Eiffel et nous nous sommes retrouvés juste en dessous quand elle s'illumine ! C'était incroyable ! Les Parisiens sont très fiers de leur ville merveilleuse et je suis très reconnaissant qu'ils aient partagé cela avec ma femme et moi.

TvRockLive.com : Vos albums solo sont-ils disponibles ?
Rocky Athas : Oui, tous mes albums sont disponibles en ligne et je viens de sortir un nouvel album intitulé The Essential Rocky Athas - Volume I qui comprend des inédits et beaucoup d'informations ainsi que mes titres favoris remasterisés. Vous pouvez trouver tout cela surwww.rockyathas.com.

TvRockLive.com : Avez-vous des projets en dehors des Bluesbreakers ?
Rocky Athas : Oui je possède mon propre groupe et je travaille toujours sur de nouveaux matériaux et des sorties d'albums pour ma carrière solo. Je passe beaucoup de temps en studio et à construire une relation avec les fans sur les média sociaux avec des vidéos de guitare. Vous pouvez les consulter sur Facebook, Twitter et YouTube. J' aime répondre aux questions des jeunes aspirants joueurs de guitare.

TvRockLive.com : Y a-t-il un autre musicien avec qui vous souhaiteriez jouer ?
Rocky Athas : Bonne question ! Il y en a tellement ! Eric Clapton et Jeff Beck seraient Cools . J'ai rencontré Jeff et en plus d'être un joueur de guitare phénoménal il a un grand sens de l'humour. Nous avons eu un très bon moment à parler de guitares ensemble.

TvRockLive.com : Pouvez-vous m'en dire plus sur votre amitié avec SRV ? Avez-vous déjà joué avec lui ?
Rocky Athas : Nous étions des amis d'enfance qui ont tous deux joué et parlé de guitares toute la journée à l'école et au téléphone. Nous étions dans notre propre petit monde de la guitare. Nous déjeunions tous les jours à l'école ensemble et tout ce dont nous parlions c'était d'Hendrix, desWho, des Beatles, de Cream et de tous les grands groupes de cette époque. Plus tard nous n'avons jamais eu l'opportunité de jouer dans le même groupe ensemble mais nous avons toujours apprécié nous retrouver et nous avons chacun soutenu nos carrières respectives. La véritable chose que nous avions en commun c'était notre engagement à jouer de la guitare, peu importe quoi. C'est ce que nous appelons au Texas "Une condamnation à jouer à vie" !

TvRockLive.com : Que pensez-vous de la scène Blues actuelle ? Y a-t-il un un nouveau groupe de Blues qui a vos faveurs ?
Rocky Athas : La scène Blues semble grandir sans cesse et inclure de plus en plus la jeune génération. C'est tout simplement génial quand un adolescent vient vers moi après un spectacle et m'explique combien ils apprécie la guitare. C'est le plus important pour moi. Rendre la musique accessible et universelle. J'aime tous les groupes qui gardent le Blues en vie (Alive). Le Blues a l'avantage d'être intemporel et on peut aisément le rendre incroyablement moderne avec un peu de créativité.

TvRockLive.com : Y a-t-il un autre genre musical que vous appréciez ?
Rocky Athas : J'ai grandi avec la musique Rock et Cream, Jimi Hendrix,Mountain, les Rolling Stones et les Beatles sont encore mes favoris. Ils ont résisté à l'épreuve du temps. J'ai adoré jouer ce style de musique mais cela peut surprendre vos lecteurs de savoir que j'aime aussi la musique classique. J'aime également Stevie Wonder et Marvin Gaye parce que leurs voix sont des incroyables instruments pleins de mélodie. Voilà sans doute pourquoi j'ai tant aimé jouer avec Glenn Hughes. Il a cette "Soul". La bonne musique est facile à reconnaître. Si cela vous émeut, alors ça en est ! J'aime tout ce qui a de la mélodie du Groove et de l'émotion.
Interview Exclusive d’Olivier Carle
Merci à Yazid Manou !

Gibson Guitars Features Rocky Athas! Read Now!

While on tour in Europe, Daniel Eriksson, correspondent for Gibson.com, caught up with Rocky and asked about his passion for collecting guitars.  He discusses in detail his prized possession '52, his '59 VOS historic road warrior, and a great story of recovering a guitar that you have to read to believe!  You can read the entire interview HERE .  

Photo courtesy of Gibson.com

Rocky with Gibson correspondent, Daniel Eriksson.   Thank you, Daniel, for a great interview!  

Awesome Review for The Essential Rocky Athas! Read NOW!

Acclaimed music reviewer and long time lover of music, Phillip Smith, of Phillycheeze's Rock and Blues Reviews talks about Rocky's "lush and bluesy sounds" calling  The Essential Rocky Athas Volume I "energized Texas blues at it's finest".   Mr. Smith describes The Last of The Blues "as perfect a blues song as one can get" so please enjoy The Last of The Blues official video below and Go HERE to read the complete awesome review.  Thank you, Phil!

This week only grab a special discount on The Essential Rocky Athas - Volume I and all other Rocky Athas physical CD's!   Click HERE to shop NOW!

A Special Life is on the Grammy Ballot!

John Mayall's latest album, A Special Life, has been submitted for the first round of Grammy ballots!  Fingers crossed that John will receive the honor he is due for his lifetime of achievements in the blues community.   Please enjoy listening to Speak of the Devil from that album and join me in congratulating John Mayall!  

I am honored to have participated in the recording of this album and thoroughly enjoyed getting to put a new twist on this Sonny Landreth classic.  John's desire to innovate a classic is inspiring and is one of the reasons that I enjoy working with him.  The blues are definitely alive and well and fresh for a new generation to enjoy.  Keep rockin' the blues!  

A Special Life - I Just Got To Know

A Special Life, John Mayall's newest album, is getting rave reviews including one from the Washington Blues Society.  I Just Got To Know  features Rocky's trademark guitar tone and technique prompting the reviewer, Malcolm Kennedy to comment on the "fine treatment with burning guitar solos"....from Athas.   Have a listen and enjoy!

You can get your copy today at www.johnmayall.com! 

Blues Magazine Interview

Blues Magazine, the premier French blues quarterly, published a beautiful four page feature on Rocky in their Octobre/Novembre/Decembre issue.  The in-depth interview conducted by Dominique Boulay discusses Rocky's musical history including who he listened to, who he admired, his work with a Grammy Award winning producer on his solo albums, and his feelings today on being asked to put his signature on classics from the iconic Blues Breakers - John Mayall with Eric Clapton (Beano) album.   A portion of the article has been translated below.  

Blues Magazine - Octobre/Novembre/Decembre 2014 N 74

Blues Magazine:  What could you say today about Lightning? 

Rocky Athas:   Lightning was and is my birthplace as a songwriter.  It was a proving ground for me and a great foundation.  Exploring everything on guitar that a young man would dream of was exhilarating.   Playing every gig imaginable, opening shows for huge acts, and trying to impress rock stars who came to watch the show was the experience of a lifetime.  I was happy to show them every guitar trick I knew.  Fueled by the  inspiration of making music and living my dream of life as a musician, my Lightning memories are terrific days and nights filled with music and friends.  Lightning had many personnel changes over the years and each and every member was a friend.
BM:   Why this name?
RA:   Good Question.  A name that represented the energy that I had for guitar was very important to me and Lightning seemed to fit my style.   We were filled with energy for performing music and watching Lightning perform was a very intense experience for the audience.
BM:   What is your best souvenir of your Black Oak Arkansas’ time? 
RA:   Jim Dandy gave me a Stratocaster during the Ready As Hell recording session.   This was the first time anyone gave me a guitar and it was a very memorable day for me.
BM:   And the worst?
RA:   There are no bad memories with Black Oak Arkansas.  Johnnie Bolin, Tommy Bolin's brother of Deep Purple and The James Gang fame, was BOA's drummer and we are as close as brothers today.  I will be playing the Tommy Bolin Archives Festival in August with Johnnie and look forward to playing with Johnnie again.
BM:   It is not too difficult to play in a group of Arkansas when you are native of Texas? 
RA:   Not at all, as we were all from the South so our lifestyles were very much the same and we had the same taste in music.
BM:  Do you work on with The Rocky Athas Group? 
RA:  The MIRACLE and VOODOO MOON albums completed that project.  I enjoyed that experience and those musicians immensely  Today, I am extremely busy touring and recording with John Mayall and I have a new instrumental solo album featuring an exclusive John Mayall track not available anywhere else.  I recorded the new tracks with my son, Rocky Athas II, on bass and Walter Watson on drums.
BM:  Who is Larry Samford?
RA:  Larry is a great friend and we grew up in Dallas in the same neighborhood of Oak Cliff as Stevie Ray Vaughan.  Lots of excellent musicians came from that neighborhood.  We played together for many years. I loved his smoky sounding style voice on record.
BM:  How do you consider today Miracle, Voodoo Moon and Lightning Strikes Twice?
RA:   I love those albums but I can't compare them together.  Miracle and Voodoo Moon were produced by Jim Gaines for The Rocky Athas Group.  Lightning Strikes Twice is a retrospective from my Lightning catalog from the 70's.   I am very proud of all three albums, but for me, they represent very different time periods in my development as an artist and songwriter.
BM:  How did you meet Jim Gaines?
RA:  We met during the recording sessions for The Bluesberries album with Buddy Miles featuring me on guitar for Ruf Records.  We hired SRV's rhythm section, Double Trouble. Jim understands guitar tones so well and it was natural to respect each other's work.  He is amazing.  We became very close friends and enjoy working together every chance we get.   We also write songs together.  On Voodoo Moon,  Road Fever was co-written with Jim and his wife, Sandy Carroll, who is a songwriter in her own right.
BM:  What do you prefer to play now, Southern Rock or Blues?
RA:  I always prefer blues. If you listen to the last album I recorded with Black Oak Arkansas, Wild Bunch, I finally convinced Jim Dandy to record a really nice blues song that I wrote called Dark Purple Blues. This is my calling, rockin' the blues.
BM:  And what do you prefer to listen?  
RA:   Freddie King.  Just yesterday, I was listening to some old recordings from the 60's of him and he still moves me.  He is tops in my opinion and his knowledge of the importance of song structure was very advanced.  He is the pinnacle Texas guitarist for me.   Buddy Miles and I  wrote the TEXAS CANNONBALL, on The BluesBerries album, about him.
BM:  Do you remember how many guitarists have played with John Mayall?
RA:   I am not sure but I do know one thing, they are all great players.
BM:  Is it difficult to follow artists as Mick Taylor, Peter Green or Walter Trout?
RA:  Not at all.  John made it very clear that he didn't want me to imitate anyone no matter how classic Eric Clapton may have played Hideaway.  John said he had listened to my solo albums before making the decision to call me and he was hiring me for me and he wanted me to put my signature on it.   So, that made me feel comfortable right from the beginning.
BM:  Did you meet some of them before? Coco Montoya or Harvey Mandel?
RA:   I have enjoyed meeting and jamming with many of them, especially Mick Taylor, Coco Montoya and Walter Trout.
BM:  Two CDs in 5 years, Tough and A Special Life and how many shows between?
RA:   And a LIVE in LONDON CD and DVD set!   Wow, I guess approximately 700 shows and definitely thousands of miles!  John loves the road so we do play a lot!  
BM:  Among them, who do you admire more? 
RA:   Eric Clapton is my favorite not only for his playing but his songwriting skill as well.  He has evolved over his career and I respect that ability tremendously.  He is always ERIC.
BM:  The fact of having been chosen is a recognition of your particular style. Are you happy and proud about this responsibility? 
RA:   Absolument!  I am very proud of my gig with John Mayall and every night I put everything I have into the show.   I hold nothing back.  John deserves my very best.  I love getting to share the stage with John.  
BM:   It is going to increase your audience all over the world?
RA:   Since John loves touring so much, reaching a larger international audience is definitely an extension of working with John.  We travel extensively in Europe and the US and Canada.   One year, John toured Australia and  I was lucky enough to cross paths with Jeff Beck and Joe Bonamassa during the shows.
BM:   You chose to pursue your career as sideman. Does that mean that you put your own activities aside. Either do you consider possible to lead both activities at the same time? 
RA:   That is a very interesting question to answer.  I never chose to pursue a career as a sideman.   John called and I answered and my solo career has taken a beautiful detour.  I don't consider myself a sideman and John didn't hire me to be a sideman.  He said he wanted to pursue something new when he disbanded the Bluesbreakers.   John never treats me like a sideman and I never perform like one.  Since I was an established solo artist when John contacted me for TOUGH, he encouraged me to continue my solo activities from the very beginning and since he usually books approximately 100 dates a year, there are plenty of days to fill with other work.   He is so supportive of my solo career that he recorded three tracks with me for my next solo album.  He is very kind and generous when it comes to making music together.
BM:  Do you work personally with sidemen? 
RA:   I never consider musicians that I work with on my solo career as sidemen.   I started playing music with the idea of enjoying the camaraderie of friends.  I like the team effort on stage where everybody is equal in musicianship and professionalism.   Stevie Ray Vaughan shared the same work ethic.   He never treated Tommy Shannon or Chris Layton (his rhythm section) as less important than himself.   Tommy and Chris knew that they weren't the center of attention and understood that their foundation and stability elevated Stevie and Stevie understood his position.  Each of them were secure in their ability.  Every musician I choose to work with knows I value their contribution and want to include them in my musical family.  I enjoy the chemistry and company of good friends on stage making music with me.  

BM:  Because John Mayall said : “The Band I have now is the best band I have ever had. I think it would be impossible to do better than that.” What could you do in a next future to be better than yet?
RA:   I always strive to be better and better and continue to evolve as an artist. So whatever the next chapter in my musical career is...it will be awesome!
BM:  Why do certain people speak about a “further testament to John Mayall’s boundless talent….” He is still alive, him and his music. But can we think on the other hand that bluesbreakers died since your appearance in 2009?
RA:  That is an excellent question.  You should ask John exactly what he feels about that.  I am not certain but I think John just wanted to try something new and fresh and different and innovative.  While we continue to respect the blues and John's history, John is always encouraging me to bring my own voice to the creation.  This is how he approached me and explained his vision for the future. 
Editor's Note:  This interview was conducted before Larry Samford's tragic accident.  A tribute to Larry Samford by Rocky Athas is attached.

Washington Blues Society

The spectacular reviews just keep coming for John Mayall's new album, A Special Life.   The Sonny Landreth track, Speak of The Devil,  is a stand out prompting comparisons to Mayall's greatest guitarists.   "Axe-wielder Rocky Athas struts his stuff....showing he can stand strong with some of the legendary guitarists who have worked with Mayall in the past."   -  Malcolm Kennedy, The Washington Blues Society

You can get your copy at www.johnmayall.com now!